<strong>[ -> N/A]</strong>
Oh My Fucking Mother Of Buddha! It's another installment of the infamous <a href="http://www.duckandcover.net/features/ki ... ml">Kiddie Pool</a> and not only that, this edition is INTERACTIVE! Hell, it's always interactive but you ASS NINJAs never fill the mail bag. Go read the new <a href="http://www.duckandcover.net/features/ki ... shtml">Kid Pool</a> before you make baby jesus cry.
A New Kiddie Pool!
- OnTheBounce
- TANSTAAFL
- Posts: 2257
- Joined: Thu Apr 18, 2002 8:39 am
- Location: Grafenwoehr, Oberpfalz, Bayern, Deutschland
- Contact:
Re: A New Kiddie Pool!
Why are you giving me reasons not to read it? :mrgreen:Killzig wrote:Go read the new Kid Pool before you make baby jesus cry.
I liked this installation much better than the last one w/its football-o-rama theme. Yeah, I know, it's your column and you can write in it what you want. Then again, last week I exercised my sovereign right to scroll right on past a huge chunk of your ranting. Which is something that I've never done before.
BTW, looking at your prescription strength, I look at mine (-3.00/-3.25) and -- knowing how abso-fucking-lutely blind I am -- my heart bleeds for you.
OTB
PS: That comic about the DVDs almost made me wet my pants. I can't tell you how many times I've broken out in a cold sweat while trying to get a new disc out thinking, "Oh shit! She's can't take much more!"
"On the bounce, you apes! Do you wanna live forever?!"
That comic about the DVDA almost made me wet my pants. I can't tell you how many times I've broken out in a cold sweat while trying to get a new dick in thinking, "Oh shit! She's can't take much more!"
There. Whoever would have thought removing 5 letters and adding 4 could change a sentence's meaning so significantly?
There. Whoever would have thought removing 5 letters and adding 4 could change a sentence's meaning so significantly?
--
Only a real artist knows the actual anatomy of the terrible, or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or heriditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
Only a real artist knows the actual anatomy of the terrible, or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or heriditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.