Part 2 of Fallout revisited
- Mr. Teatime
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Part 2 of Fallout revisited
<strong>[ Person -> Interview ]</strong> - More info on <a href="#Avellone, Chris">Person: Avellone, Chris</a>
<p>There's a <a href="http://www.gamebanshee.com/interviews/fallout2-1.php" target="_self">new interview with Chris Avellone</a> at Gamebanshee <a href="http://www.gamebanshee.com/news/static/ ... NmmKrW.php" target="_self">as part of their 3-day Fallout party thing</a>. A lot of it is dedicated to Van Buren, which we've all heard enough of (apart from Gamebanshee it seems), and he also continues the worrying trend he's had of recent years of showing he doesn't seem to get what Fallout was about anyway.</p><blockquote><p><em><strong><span class="question">GB: Were any of you at Obsidian interested in
acquiring the rights to Fallout 3 when they became available? What was
your reaction to the news that Interplay had sold the rights to
Bethesda Softworks?</span>
</strong>
<span class="answer">Chris: I don't think it was ever an option that
ever came up (I think it was offered to much higher bidders than we
could hope to be) - and Bethesda totally works for me. Oblivion kicked
a great deal of ass.</span>
<strong><span class="question">GB: Why do you suppose Interplay retained the
rights to any massively multiplayer Fallout titles? Do you think we'll
ever see such a game, and if so, would a Fallout MMORPG even work?</span>
</strong>
<span class="answer">Chris: I have no idea, but I think it would totally work, though.</span>
<strong><span class="question">GB: If you were given the choice, would you like
to see Obsidian pursue a post-apocalyptic RPG in the same vein as the
Fallout series? Why or why not?</span>
</strong>
</em>
<span class="answer"><em>Chris: Nope, I'd rather we do something brand new
that builds on the RPG mechanics and aesthetic style guides of that and
other Interplay RPGs to create something that's better than Fallout. If
it's post-apocalyptic, so be it, but it doesn't have to be similar to
Fallout.
</em>
</span></p></blockquote><p><span class="answer">MMORPG Fallout, and Bethesda being great for Fallout because Oblivion kicked ass? I've said it before, but I'll say it again: I'm glad Obsidian didn't get the rights, and the company appears to be less than the sum of its parts.</span>
</p>
<p>There's a <a href="http://www.gamebanshee.com/interviews/fallout2-1.php" target="_self">new interview with Chris Avellone</a> at Gamebanshee <a href="http://www.gamebanshee.com/news/static/ ... NmmKrW.php" target="_self">as part of their 3-day Fallout party thing</a>. A lot of it is dedicated to Van Buren, which we've all heard enough of (apart from Gamebanshee it seems), and he also continues the worrying trend he's had of recent years of showing he doesn't seem to get what Fallout was about anyway.</p><blockquote><p><em><strong><span class="question">GB: Were any of you at Obsidian interested in
acquiring the rights to Fallout 3 when they became available? What was
your reaction to the news that Interplay had sold the rights to
Bethesda Softworks?</span>
</strong>
<span class="answer">Chris: I don't think it was ever an option that
ever came up (I think it was offered to much higher bidders than we
could hope to be) - and Bethesda totally works for me. Oblivion kicked
a great deal of ass.</span>
<strong><span class="question">GB: Why do you suppose Interplay retained the
rights to any massively multiplayer Fallout titles? Do you think we'll
ever see such a game, and if so, would a Fallout MMORPG even work?</span>
</strong>
<span class="answer">Chris: I have no idea, but I think it would totally work, though.</span>
<strong><span class="question">GB: If you were given the choice, would you like
to see Obsidian pursue a post-apocalyptic RPG in the same vein as the
Fallout series? Why or why not?</span>
</strong>
</em>
<span class="answer"><em>Chris: Nope, I'd rather we do something brand new
that builds on the RPG mechanics and aesthetic style guides of that and
other Interplay RPGs to create something that's better than Fallout. If
it's post-apocalyptic, so be it, but it doesn't have to be similar to
Fallout.
</em>
</span></p></blockquote><p><span class="answer">MMORPG Fallout, and Bethesda being great for Fallout because Oblivion kicked ass? I've said it before, but I'll say it again: I'm glad Obsidian didn't get the rights, and the company appears to be less than the sum of its parts.</span>
</p>
- Brother None
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- Mr. Teatime
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As for a Fallout MMORPG, having given over a year of my life to WoW, I'm not dismissing all MMORPGs as trash - I still maintain the levelling part of WoW is the best single player adventure/rpg experience in recent years (you just have to do it online). I just don't see how anyone could make a decent Fallout MMO when it's clear most companies are incapable of making a decent Fallout SP game, which is the main thing. And then the MMO would probably begin to take priority over all else within the franchise, and then... yeah. NOT worth it.
- POOPERSCOOPER
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- Mr. Teatime
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- Dogmeatlives
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Better than Fallout?! This guy is dreaming... Fallout changed gaming forever. Fallout 3 will probably make game of the month. Big whoop
Wasteland Radio, with Charlie C.
The closest MCA could ever come to "better" is post-apocalyptic with dual-wielding +6 "plasma sabers" in whatever engine BioWare licenses him, if The Shit Lords was any indication of how he and others have learned to continue sucking BioWare's ass. The "M" in MCA has started to stand for "Mediocre".Dogmeatlives wrote:Better than Fallout?! This guy is dreaming...
How about those wonderful RPG design mechanics and aesthetic style guides of Descent to Undermountain, MCA?
Oh, wait, too easy of a low shot?
Lionheart: Legacy of the Kewl Particle Effects Crusader, the game that wasted BIS' time and work doing more productive things, like sit on the keyboard while scratching their ass, all made because Reflexive was led by a buddy of Feargut?
Waaaay too easy with that one.
What about the title that served as example to everything BIS was to become, mere dungeon-crawler modders of an engine? Asswind Dale, and the Fart of Winter expansion so crappy, it had to have a free downloaded addition with Trials of the Assmaster?
Still too easy and low?
Asswind Dale 2, a dungeon crawler so forgettable, people don't bother to bring it up unless it has to do with a time when J.E. Sawyer was NOT acting as an underdesk gimp, and even then it's questionable?
Fish in a barrel, you say?
Planescape: Torment, the one title that BIS created worth playing, that was deemed "unsound" by both marketing and the senior people at BIS (Feargut) because they couldn't quite wrap their minds around anything other than "ackshun" and "kewl particle effects".
So, does MCA expect us to believe that he's talking about the minority of his career when he did good work, or about the rest of the overhyped BIS trash? I'll say it because someone has to have the balls to: The reason why we don't consider BIS to be the original creators of Fallout, not only because of the missing team members that left Interplay pre-BIS and were part of the core design group, but because after BIS was formed Interplay's CRPG quality started to really suck. First with the near hatchet job of Fallout 2, and then with Descent to Undermountain, and the rest has been unimpressive garbage compared to Interplay's earlier work before Fatass and MCA showed up/started fucking around with CRPGs.
Obsidian:
Now working on Fallout: New Undermountain!
They promise to spend only a year on this title - only a year less than the original Descent to Undermountain!
Now working on Fallout: New Undermountain!
They promise to spend only a year on this title - only a year less than the original Descent to Undermountain!
Sorry, I don't mean for it to sound like a game designer slashfic, but the metaphor of BIS crawling up BioWare's ass has been an apropos one for many years. Judging from the size of MacFeargut, the Goatse.cx man had NOTHING on both Muzyka and Zeschuk...AT THE SAME TIME!St. Toxic wrote:Alot of ass in there. Sort of gets the point through.
(No, I don't want visual examples, although send them MCA's way, he needs something he can hope to understand.

Obsidian:
Now working on Fallout: New Undermountain!
They promise to spend only a year on this title - only a year less than the original Descent to Undermountain!
Now working on Fallout: New Undermountain!
They promise to spend only a year on this title - only a year less than the original Descent to Undermountain!
- Mr. Teatime
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In all fairness, PS:T's design and feel are both pretty darn groundbreaking, and wasn't MCA responsible for, like, all of it? I think he deserves some credit, chaps.
suppose you're thinking about a plate of shrimp. suddenly somebody will say like 'plate' or 'shrimp' or 'plate of shrimp', out of the blue, no explanation.
- Mr. Teatime
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- Frater Perdurabo
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Planescape had an amazing storyline (c'mon chaps 800 000 word script for a computer game is not bad) but I find the engine and environment really offputting. I don't know who's responsable for that, but they should have been sacked :@atoga wrote:In all fairness, PS:T's design and feel are both pretty darn groundbreaking, and wasn't MCA responsible for, like, all of it? I think he deserves some credit, chaps.
Concluding my statement
The "feel" of PS:T = (Y)
The "design" of PS:T = (N)
What I meant when I said "design" was the idea that most combat should be eschewed for favour of solutions through dialogue or whatever. I also liked how virtually all character building was done through dialogue and story, rather than combat like in all other DnD games. I think of those things as design choices.
The engine is just standard, although I liked the environment, because everything about it felt really dynamic (there are, like, ZERO repeated tiles in the game). It was pretty; you gots to give it that.
Anyway, my point is, track record aside, MCA is at least capable of creating a really innovative, immersive game. Hasn't Tim Cain made a big pile of blunders over the course of his career as a developer as well?
Someone mail me their PS:T cd please, I've lost mine
The engine is just standard, although I liked the environment, because everything about it felt really dynamic (there are, like, ZERO repeated tiles in the game). It was pretty; you gots to give it that.
Anyway, my point is, track record aside, MCA is at least capable of creating a really innovative, immersive game. Hasn't Tim Cain made a big pile of blunders over the course of his career as a developer as well?
Someone mail me their PS:T cd please, I've lost mine

suppose you're thinking about a plate of shrimp. suddenly somebody will say like 'plate' or 'shrimp' or 'plate of shrimp', out of the blue, no explanation.
- Mr. Teatime
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Well like I keep saying, I consider one game an anomoly rather than an indication of ability. If it was more than one, then yeah... Tim Cain, for instance, has Fallout to his name, some of FO2, Arcanum, Vampire... all of which I'd say show a considerable amount of greatness (albiet with some shortcomings).atoga wrote:What I meant when I said "design" was the idea that most combat should be eschewed for favour of solutions through dialogue or whatever. I also liked how virtually all character building was done through dialogue and story, rather than combat like in all other DnD games. I think of those things as design choices.
The engine is just standard, although I liked the environment, because everything about it felt really dynamic (there are, like, ZERO repeated tiles in the game). It was pretty; you gots to give it that.
Anyway, my point is, track record aside, MCA is at least capable of creating a really innovative, immersive game. Hasn't Tim Cain made a big pile of blunders over the course of his career as a developer as well?
Someone mail me their PS:T cd please, I've lost mine
MCA's other games don't show that. KOTOR2 was supposed to be a Star Wars PST and really, it wasn't, for me anyway. And, the main thing for me really, is that Tim Cain doesn't go around doing interviews that really show off what seems to me an ignorance of what made FO great (and given that PS:T took a lot of the concepts in FO...).