Mr. Teatime wrote:I was figuring of having reflections the first track that played when you visit the page but figured it was too downbeat and moody and might put people off... even though generally I end up playing like that more than the more upbeat stuff.
Absolutely, focus on stuff like "Reflections." However, you need to find more to do with it: you can't *just* keep playing exactly the same piece.
Personally, since I'm into industrial and early electronica, I'd be interested to hear music like "Reflections" overlayed with non-linear rhythm patterns, ala Suicide et al, and recorded noise from machinery.
Mr. Teatime wrote:Anywa it's all on the same keyboard (yamaha p250) though, the electric piano sounds are more realistic as it's actually an electric piano I'm playing.
So, I'm guessing you're using the built-in recorder that this unit has, right? If you wanted to make more complex music, either get a cheap multi-track (4 minimum) recorder or use a computer with recording software so you can start multi-layering stuff. That is, unless the keyboard itself allows you to record from outside sources.
Mr. Teatime wrote:...I'm not sure if you can get gigs the way a new indie band would (with an audience there to listen and all that).
So, anyone know how I'd go about actually getting paid for this stuff? I guess playing live is the way to go then hoping some suit goes 'yeah i want to give him lots of money!'
I'd go the abusive performance-art route. Find someone in your town that likes to do light-shows / video-art, and perform live with this person during > 10-min. songs in which the audience is blasted with so much sensory information that they go into seizures...
I'm totally serious here, I'd pay at least $25 for even just 20 minutes of that stuff. I like extreme music, however, so I don't know if this is the best *commerical* route. It's the coolest *artistic* route though.
Death to quotes.