Wasteland Bandit | Part I
Posted: Sat Sep 06, 2003 10:45 am
hey guys, heres a thing im workin on, there will be more, one of these days, to this thing, but I might not get back to it to finish. But here it is so far. :oops:
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Wasteland Bandit | Part I
Page 1 of 2
Posted: Sat Sep 06, 2003 11:17 am
wow, that's pretty dope, nice use of colours, very kubrick. What's he SHOOTERING?
Posted: Sat Sep 06, 2003 11:52 am
i think that statement sums up my fealings about all your art. as for the weapon megatron it looks from what i've seen to be a fully custom job thats own mostQueBall wrote:your art floors me, on a scale of 1 to 10 your art is 98, on a scale on 1 to 10 my art is crud
Posted: Sat Sep 06, 2003 11:54 am
I mean what is he shooting at?
Posted: Sat Sep 06, 2003 12:08 pm
oh my bad probably just some smacktard rats or maybe some super mutants
Posted: Sat Sep 06, 2003 12:39 pm
wow that's truly amazing
did you draw, colour in and scan, or did you do it all with a tablet? (or both?)
did you draw, colour in and scan, or did you do it all with a tablet? (or both?)
Posted: Sat Sep 06, 2003 2:21 pm
Briareos, once again your art makes my day a little brighter, and my serverely limited forum visits a little nicer.
well done man, keep that creative stuff coming in!
well done man, keep that creative stuff coming in!
Posted: Sat Sep 06, 2003 2:41 pm
godDAMN, nice detail, like the plaster on his lower arm. I LUBBBB the the motion in that drawing as well. Very gifted : )
Posted: Sat Sep 06, 2003 3:42 pm
Another gem, Briarros. ATOGA DOES APPROVE!
Posted: Sat Sep 06, 2003 11:30 pm
Looks fantastic. One thing though, it looks like his under arm is thicker than his upper arm. Or it's just me.
Posted: Sat Sep 06, 2003 11:40 pm
well it is very lonely in the wasteland
Posted: Sat Sep 06, 2003 11:50 pm
that's not true Megatron
there's plenty a molerat for everyone!
there's plenty a molerat for everyone!
Posted: Sun Sep 07, 2003 12:15 am
molerat Posted: Sun Sep 07, 2003 12:24 am
You're a very talented artist, Briareos. How do you make this things? Draw them by hand, by computer, paintbrush, what? It looks like it was drawn by hand, then added some light with a computer editing program, but I could be wrong.
Posted: Sun Sep 07, 2003 5:48 am
Your beautiful art has singed my eyes with its glory.
How do you do it?
How do you do it?
Posted: Sun Sep 07, 2003 6:02 am
"pwnd!"
He should be yelling that. Or you, since you pwn the whole board in ass-kicking art. I call it Asskickingartology.
He should be yelling that. Or you, since you pwn the whole board in ass-kicking art. I call it Asskickingartology.
Posted: Mon Sep 08, 2003 6:24 am
:oops:
IF i ever finish it, he will be shooting some mutated bugz0r3z, 2 or 3 of em, and thoroughly PWNing them
IF i ever finish it, he will be shooting some mutated bugz0r3z, 2 or 3 of em, and thoroughly PWNing them
Posted: Mon Sep 08, 2003 7:24 am
hey bria bro, can you recommend any good book about drawing 3d, coloring lights&shadows and stuff like that, to make the drawings look proper 3 dimensional, where the shadows go and stuff like that?
Posted: Mon Sep 08, 2003 2:15 pm
Brilliant artwork.
Perfect proportions, nifty details, and an atmosphere/lighting that just makes all of it *right*!
MORE! MORE! =D
Perfect proportions, nifty details, and an atmosphere/lighting that just makes all of it *right*!
MORE! MORE! =D
Posted: Mon Sep 08, 2003 2:49 pm
Cool lighting effects Briareos. I think your use of it is getting more advanced than some of your earlier stuff where mostly you used flat colors. Any new stuff on your site?
Lasse, the best thing to do is to study other artist's work and experiment to try and mimic their effects. Rembrandt has great lighting effects but one of the artists that has a great use of lighting is Vermeer. Sometimes the use of shading and light makes more of an impact than proper proportions. If you practice building a drawing from the shadows rather than starting with outline linework you can get a better feel for the three-dimensionality.
Lasse, the best thing to do is to study other artist's work and experiment to try and mimic their effects. Rembrandt has great lighting effects but one of the artists that has a great use of lighting is Vermeer. Sometimes the use of shading and light makes more of an impact than proper proportions. If you practice building a drawing from the shadows rather than starting with outline linework you can get a better feel for the three-dimensionality.